This exhibition reveals the welcoming nature of The Mill as all
works submitted are hung alongside each other, with no imposed hierarchy. There
is a large, rather impressive, Matisse-inspired cut-out collage produced by the
kids drop-in class that runs on Thursday afternoons, a beautiful drawing of a
Heron on Walthamstow Marshes by Alison Brown, a glass-fronted light-box from Wendy Stone showing a bonfire
burning in the distance and a Katja Rosenberg print, 'Steg', which comes in an
edition of 20 with all profits going to The Mill. It is unusual to see such a
range of mediums in the same exhibition. Here there is paint, photography,
print, pen drawing, collage and wax and somehow, it works as a whole. Perhaps
this is reflective of a community that has so many diverse sections, that at times can be brought together. The Mill and the Art Trail itself certainly go some
way to providing this space for the community to bond.
The preview was a very friendly, enjoyable
evening with classic covers such as Neil Young’s Heart of Gold from musician
Tom Lynch and some very tasty fruit punch from Mo Gallaccio (exhibition
organiser).
Last night was also the launch of Time to Fly. A series of triplanes
and poems produced by children at Inky Cuttlefish Studios. This exhibition
celebrates the industrial heritage of the Blackhorse Lane area and its
connection with early flight. It is perhaps not so well-known that in 1909 the
first all-British aircraft, the “Yellow Terror” took off from Walthamstow
Marshes.
At the preview, the kids were presented with certificates and read the poems
they had written on the flying theme. A folder of their poems is available for
visitors to read, and includes some great lines such as;
The smoke patterns it leaves behind,
A message from the engines mind
- Matthew
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